When dance is your professional craft, taking good care of your body is important. It is your money-maker so to speak. If it breaks, you can lose everything. Even the simplest defect in a movement by yourself or with a partner can cause an injury, especially if the body is tired from over-training.
One thing I have noticed among some amateur dancers is they forget how essential the professional dancer’s body is to making a living. There are times by the end of the weekend we don’t want to dance. We want to talk about and do something other than dance. We want to do something that our non-dancer friends get to do. We want to be normal rather than athletes in our downtime. This means going for dinner, watching a movie, having coffee, enjoying a glass of wine with the girls, etc.
When you are a professional in realms where social dancing is a large part of the culture of the dance, it can be hard to say no at the end of the week to going to a club to social dance. It can make us appear as stand-offish, non-participatory, or just a downer. I have been often to social gatherings with social dancers at the end of the week where the grand finale of the night is heading to the club to dance for 4-5 hours. When you have been in rehearsal 35 hours already during the week, logging another 4-5 hours doesn’t sound that appealing. Add to that nursing an injury and the sacrifice of that downtime for the body becomes harder to make. It also makes the risk of further injury so much higher as the mindfulness of our body is not always there with everyone that we engage with in a social dance.
With the intricate movements we put ourselves through daily, we are dancing with others who rely on their body to support themselves. This helps to reduce injury and irritation of the body because everyone is careful in how they interact with each other’s bodies. That is not to say we aren’t extraordinarily physical in our rehearsals. We are. We are just very mindful that all of our bodies have to make it to the next set of rehearsals and performances for survival financially.
Teaching one-on-one with people who do this for fun adds a dangerous factor. We are asked to put our physical bodies at risk because of dancing with those that are not as careful as our colleagues. I am surprised when I see my colleagues, especially the men, putting their career on the line to satisfy a student’s dream of doing fancy tricks. Having that dream is fine. It is commendable. However, when you see professionals execute tricks that you are wanting to emulate, you do have to be aware that these are people who put a lot of hours into studying movement and training their bodies to be responsive to the commands of their brain. Learning the tricks did not happen overnight and there was strength built while acquiring the knowledge to execute the trick.
Putting your instructor into a situation of executing a difficult trick when your body may not be adequately trained for it’s execution can be a difficult situation for the instructor. We have this battle in our brains between wanting to make you happy as a student and maintaining our own body. Your happiness often wins over knowing what we should be doing to protect our body in order to keep you as a student. I have seen gross injuries happen because of sacrificing and have colleagues who have sustained injuries from these situations from which they have never completely physically recovered. What I ask is that you are mindful that your instructor. Yes, we are there to satisfy your expectations. We are there to satisfy all their student’s expectations. Thus, we need you to help take care of our bodies while helping you fulfill your dance dreams.